EASTWEST Announces TERAPACK Trial Program – Entire Libraries on one Hard Drive

HOLLYWOOD, Calif. /Music Industry Newswire/ — EASTWEST, the industry leader in virtual software instruments announces the TERAPACK, the company’s entire collection on a terabyte hard drive with free 10-day trial versions of all products. The TERAPACK is designed to allow users to demo the entire EASTWEST/QUANTUM LEAP product line quickly and easily on their own systems without having to install any samples. TERAPACK customers can buy full licenses of most of the included products for 50% off the suggested retail price until September 30, 2010.

The TERAPACK includes 10-day trial licenses of all EASTWEST/QUANTUM LEAP products except Symphonic Orchestra Platinum Plus (Platinum 24-bit samples are included), including their latest releases Hollywood Strings and The Dark Side. The trials are complete versions and include all instruments and samples, but with 10-day time limited licenses. Each 10-day license starts upon activation of the individual collection. Full licenses of any product can then be purchased from www.soundsonline.com or www.soundsonline-europe.com for permanent use.

The TERAPACK is supplied on a Western Digital Caviar Black WD1002FAEX 7200 RPM 64MB Cache SATA 6.0 Gb/3.5″ internal hard drive with a 5-year manufacturers warranty for optimum performance. The hard drive houses all EASTWEST/QUANTUM LEAP virtual instrument collections and is used to test drive the 10-day trial versions. Both trial and full licenses can be run directly from the drive, saving installation time and space.

The TERAPACK includes EASTWEST/QUANTUM LEAP products Hollywood Strings, The Dark Side, Symphonic Orchestra Platinum, Symphonic Choirs, Symphonic Choirs Expansion, Quantum Leap Pianos, Stormdrum 2 and SD2 Pro Upgrade, Voices of Passion, Ministry of Rock, Fab Four, Goliath, Silk, Ra, and Gypsy. The TERAPACK is available for Mac and PC, is compatible with all major DAW platforms, and requires a separate iLok key for operation.

Pricing and Availability:
The TERAPACK is now shipping in limited quantities for $129 MSRP. TERAPACK customers can purchase full licenses online and through authorized resellers of the included products (except Hollywood Strings and The Dark Side) for 50% off the retail price through September 30, 2010. Complete product information, system requirements, and ordering information is available at www.soundsonline.com/terapack.

About EASTWEST
EASTWEST has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for more than 22 years, setting the industry standard as the most critically acclaimed soundware developer.


Copyright © 2010 Music Industry Newswire(TM). A unit of Neotrope® – all rights reserved. For Licensing Information, contact legal@musicindustrynewswire.com
Part of the NEOTROPE®.News Network.

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Internet Marketing books(4) and videos(5) for music artist , models, entertainers, photographers, actors. Videos: Seo, Traffic Generation, Insider Traffic, Viral Video Marketing. Books: Email, Ppc, Social Media, Trent Partridge Music/Model Marketing Book
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8 Music Career Tips

8 Music Career Tips

Do you want a career in music? Then musicians everywhere should read this article if you want to advance your career in music. Top lists are essential in today’s society. It’s a fun, fast and easy way to simplify a complex world. The following list, lists practices you should develop if you want to have a career in music last more than a ‘one hit wonder’. Remember, there is more than one way to get to your desired destination. From my observations of others, this list of professional practices, combine the most successful tactics of musicians who have what it takes to make it in this unpredictable music industry.

1- Make ordinary people who love music, love your music

We live in a time where music is made, heard and taken with us everywhere. We don’t leave home without our wallets or our Ipods. Just because the lives we live revolve around music, doesn’t mean that you will necessarily get your music signed to a record label just yet. Try soliciting your music to music lovers and music fans that are just like you. Talent scouts always keep an ear out for tips to come across on the streets. However, in order to get your music recognized you have to make sure that you are creating something new and fresh. 95% of the independently produced CDs out there contain regurgitated ideas that were ripped off from some other more gifted musicians. Prove to the music industry executives that ordinary music fans in your city love your music. In an executives mind, they want to give the audience what they want in a strong heavily advertise dose.

Tip: You can start by giving samples of your music on the street or at music venues. Be sure to have all your contact information on the CD or flashdrive. Also, put songs on your website (and if you don’t have a website, what are you waiting for?).
If people really love your music, they will tell others about it.

2- Play live as often as possible

People can always tell the difference between musicians who do it for the money and those who do it for the love of music. If you think about it really, you could make a living off gigs for the first few years of your music career, but you eventually hit a dead end. The truly gifted musicians who struggled and never gave up come to that bump in the road and overcome it. So take your music to the streets and perform at schools, fairs, festivals, benefits, weddings, parties, church groups—the possibilities are endless. Once you establish yourself, more and more people will come to see your play your music which then leads to paying gigs. The key is to play live and keep playing live.

3. Know your instrument inside-out.

Since the late 70’s there was a huge increase in garage bands, punk bands, rappers who just picked up on playing an instrument, or just started to sing-a-long with some friends, and then months later recorded a record. Great music and music artists were born because of this.

Prior to the late 70’s disco craze, music was made and performed by musicians who in some way or another worshiped some master bluesman, jazz player, songwriter or whatever. The appetite of these musicians was not just ‘be good’ but to be GREAT! Never settle for anything less. So think about what stage you are at RIGHT NOW, and go beyond it. Reconnect yourself to your instrument or voice. Take lessons, search the internet for your favorite song’s guitar chords and learn it. Challenge yourself beyond your limitations. You may possibly find a new sound that will make you stand out even more. Record labels love to listen to innovative new sounds all the time, in face they bank on unique sounds.

4- Copyright your music

I’m shocked at how few artists are not willing to spend a few dollars to REGISTER THEIR SONGS WITH THE COPYRIGHT OFFICE. Who in turn, are the same musicians who complain about not getting what is owed to them. You have to protect your investment, so start treating your music as a business. If you intend on creating a music career out of your music and work so hard for so long to come to find out that someone else stole your idea, you have no one to blame but yourself. It’s fast and easy. Go to www.copyright.gov

5- Promote your music to make it stand out

Promote your music by writing and designing effective promotional materials; bios, fact sheets, cover letters, press releases…Some other tips that can help musicians promote their music careers, is to make your promotional materials compelling and highly informative. List your accomplishment, quote positive reviews by fans, awards, live appearances. Organize all this information into a ‘Media Kit’, ready to be handed out at a moment’s notice. Also, research which record labels you want to send this information to and personalize each packet to the type of information the label would be interested in.

Tip: Stay away from creating any generic kits, record producers aren’t interested in what has already been done.

6- Know what record labels and music publishers you hope to sign with

Getting signed to a record label is like applying for a job. You have to have the right credentials and experience for them to hire AKA ‘sign’ you. They are not going to waste their time on candidates AKA ‘music artists’ who are not worth a second glance. Having any record label or music publisher admire your work and take interest in your music is certainly an honor, don’t get me wrong. However, don’t rush. Make sure that this label is the right match for both parties.

Tip: Questions to consider when being approached by a record label.

*How have they done with your particular genre of music?

*What specific ‘points’ are they offering you?

*Who runs the label or publishing company?

*What is their reputation in the music business?

*How do you like them as people?

These and other questions are critical in making the right decision for your music career.

7 Get your own Lawyer

Being in the music industry is half the challenge. The other half is the business of getting signed. The music industry has always had, has now, and will always have, the involvement of entertainment law attorneys. The relationship between a musician, record label, publisher, publicist, image consultant and whoever will always come down to two attorneys negotiating contracts for the musician and company to protect each other’s assets.

Tip: When choosing a reputable, ethical and well respected attorney is a serious necessity for any serious music artist.

8 Musicians- Educate yourself if you want a record deal.

Musicians if you want that record deal, you better what that deal is and learn the business of the music industry. Naïve or misinformed musicians are a danger to no one but themselves. Keeping musicians in the dark has been the name of the game for years. Learn to READ AND UNDERSTAND everything you sign BEFORE SIGNING a record contract.

Dozens of stories have come up in the past decade about musicians having their label bleed their bank accounts dry, leaving YOU THE ARTIST broke! Groups like TLC, The Backstreet boys, Mary J. Bleige even Pop-Princess Britney Spears have all complained about their record label having all the control of their money. Now, there are articles, blogs and books everywhere warning artists to protect themselves. Classes and programs are offered in understand the business of the music industry. Mathew Knowles, father and manager of the group Destiny’s Child and singer/actress and daughter Beyonce Knowles, took courses in business management and music industry business before contributing to the success of the group and the his daughter. Don’t let your label exploit you!

Education is power, and the more you know, the less powerful your label will have over you and your music career. Learn about the business side of the music industry because no one will sit down and teach it to you.

-8A Final Thoughts
Please, Please Please!…spend SOME time and money educating yourselves about the music industry business. Just a few hours and a few bucks can protect your music career forever.
For more information, you can Read many more of my Articles and Blogs at my page on Talent Trove http://www.talenttrove.com/mystage/view/59334

As an avid lover of music and writing, I have combined both of these passions into one.

The Lead of Music Teaching Resources Today

Have you experienced holding a guitar or any musical instruments? Do you know something about it aside from its being a musical instrument? Do you know how to play it? Or have you asked a friend to tutor you and yet you see yourself so upset because you can’t still figure out how it goes?

For those who have just acquired the interest in music as well as for those who have been music enthusiasts for quite a long time, you should not worry anymore! There are abundant resources available in the present that can be used to learn music easily.

Afar from the traditional way of teaching music which is purely theoretical, it evolves from a complex approach to a more practical type. Such happens with the help of the advanced technology.

Consequently, there are new trends of teaching and learning music as well as those musical instruments. One is by utilizing advanced music teaching gadgets, which are considered as some of the most useful music teaching resources nowadays.

For an instance, there is this digital piano that lights its teeth up while playing a recorded music piece. The user will just have to press the keys that light and in an instant – he can now play a music piece with his high-tech keyboard. It is no wonder how these gadgets brought an enormous impact to the music industry!

It is also true that the Internet can also be one of the helpful music teaching resources at the present. One can simply know more about the latest gadgets, updated inputs and much innovation by just browsing the net with some few clicks. That surely makes such easy access to music teaching resources. Now, isn’t it really amazing?

The web or the Internet is highly regarded as an effective medium to provide a wide scope of information in almost any subjects. It is renowned globally for it caters to the need of everyone especially in terms of communication and research. Undoubtedly, it is another functional music teaching resource; certainly, something that music educators can exploit with when it comes to obtaining music teaching strategies.

Most music teaching resources in the recent past such as books and fellow music teachers seem to be just references while these new advanced ones are combined ‘references’ with great  ‘advantages’ and accessibility.

With this channel, burden in teaching is almost eliminated or lessened by web and online venture on the part of music educators. As a result, they can easily download activities, quizzes, and games to be used as their teaching instruments and techniques – unlike before when they needed to improvise on their own.

On the other light, students can learn music and other related matters on their own. They can surely enjoy music more while learning it with interactive activities online. As they put in their full attention into it and be able to give in time and effort, these kinds of innovative activities truly promote both rational and creative thinking.

The new technology of music – teaching and learning – is definitely more effective than those conventional ones.

For the most credible and helpful music teaching resources, log on to Music Teachers blog.

Earl Marsden started developing a passion for music at the early age of twelve. He first learned to play the guitar at thirteen, and from there he pursued the study other instruments including the violin, piano and flute. Currently, he devotes some of his spare time to writing articles about music teaching while managing his own music studio.

How to Make Money From your Music Website With Affiliate Programs!

If you have a music website, then there’s an amazingly simple way you can make hundreds, even thousands of dollars with little or no work.

It’s called “Affiliate Marketing.” All this means is that a company will pay you for telling your website visitors (or anybody you know) about their valuable products.

The company gets new customers, your website visitors or customers get new products to help them, and you get paid. It’s a winning deal all around.

In addition, generating commissions is easy. Simply let website visitors know about a certain product by putting banners on your website, telling your email subscribers about it, or mentioning the product after your name in all of the emails you send to others in the music industry.

There’s virtually zero effort involved.

Of course, you’re probably wondering, how’s this different than getting advertisers to place ads on your site?

Well, with affiliate programs you get a piece of the sales generated. Instead, a few bucks in advertising fees, you get a big chunk of the profits – resulting in hundreds or thousands of dollars!

Not to mention, that in order to find good advertisers, you need a very highly-trafficked website. With affiliate programs, you can generate commissions with as little as 1 visitor at your site that buys your recommended product!

This then brings us to the next question, “How do you go about finding good affiliate programs?”

Practically every online business has an affiliate program. The problem is that few actually have “Affiliate friendly” programs. They often give low commissions, offer a lack of support, and the products have horrible sales rates (meaning you might have to send thousands of visitors to earn anything).

On the other hand, a good program is responsive to your questions, pays generously, and has good banners, emails, and other ads already created for you. You just copy and paste.

A number of these programs can be found in affiliate directories, such as:

* http://www.associateprograms.com/directory/

* http://www.affiliatescout.com

When you go to these directories, there is one main factor you should look for… you’re going to have the most success with a product most relevant to what your website visitors want.

For instance, if you have a music website for unsigned artists, then you should promote a course that shows artists how to get signed.

If you’re site covers the topic of starting a record label, then you should promote an affiliate program on how to start a record label.

Do you see why? These are the products your visitors are most likely to buy. Finding a relevant product versus promoting unrelated products means the difference between generating sales by only referring 25 visitors or 10,000 to get a sale.

It’s vital to offer a product your customers desperately want.

After you’ve found this most targeted product for your visitors, email subscribers, or customers, then you need to pick a program that’s going to make you money.

This means in most cases you’re not going to want to even deal with a product that only pays a few percent of the profit. No matter how good the other aspects are, it’s going to be hard to make much with low commissions.

In addition, the program should also be responsive to you. You can test a program by sending in a question.

If you get a quick response, then you know the program is most likely on top of all issues surrounding the affiliate program. It’s not just there for the sake of having an affiliate program.

Finally, the product you promote should solve a burning problem your customer has. For instance, if your website visitors are interested in getting their music heard, then the product you offer should solve this burning problem.

Simply put, by affiliate programs are a great way to make easy cash from your websites. The only challenge you face is finding a good one!

Hans Klein is the affiliate manager for Platinum Millennium, a leading publisher of top-selling music industry success courses. If you want to cash-in on the gigantic and wildly profitable music industry, join our affiliate program at: http://www.PlatinumMillennium.com/affiliates.html. Get affiliate training videos, audio, articles, and promotion tools to help ensure your success!

Neil Peart Drums Volume 1: The Kit is Now Available for Kontakt

SUNRISE, Fla. /Music Industry Newswire/ — Sonic Reality announced today that their new Neil Peart series drum sample instrument library, Neil Peart Drums Volume 1: The Kit, is shipping in the NI Kontakt-compatible edition (requires SR’s Infinite Player for authorization). The BFD2 version was announced as shipping earlier this month. Neil Peart, legendary drummer of the band RUSH, has collaborated with Sonic Reality and producer / engineer Nick Raskulinecz (Rush, Foo Fighters, Alice in Chains) to bring the authentic sound of Neil Peart’s Snakes and Arrows Custom DW Drum Kit into the digital domain. With advanced features such as deep level dynamics, humanized random alternating hits, discrete multiple mic mixing and more, this deluxe sampled kit is an ultra-realistic recreation of Neil s actual acoustic set as used live on tour and in the studio.

The BFD2 version is also available as a download and as a DVD package at the same introductory price of $149. We also offer a crossgrade product to allow you get the second version at a low price. If you own either the Infinte Player or BFD2 version, you can purchase the other version for just $49.95.

The Whole Story:

Sonic Reality is proud to announce Neil Peart Drums Vol. 1: The Kit, a sample library for Infinite Player powered by Kontakt, as part of the Drum Masters series. Neil Peart, legendary drummer of the band Rush, has collaborated with Sonic Reality and producer/engineer Nick Raskulinecz (Rush, Foo Fighters, Alice In Chains) to bring the authentic sound of Neil’s “Snakes and Arrows” Custom DW® Drum Kit into the digital domain. With advanced features such as deep level dynamics, humanized random alternating hits, discrete multiple mic mixing and more, this deluxe sampled kit is an ultra-realistic recreation of Neil’s actual acoustic set as used live on tour and in the studio.

Now for the first time, e-drummers, keyboardists and composers can play rock drum samples with the iconic signature sound of drum legend Neil Peart and have a world-class, hard-hitting drum kit suitable for many styles of music from Progressive Rock to Heavy Metal! Producer Nick Raskulinecz engineered the sample sessions with over 20 channels of Neve® mic preamps, deluxe vintage tube mics and multiple room positions for one of the most elaborate sampled drum kits ever.

Neil Peart has been one of the world’s most acclaimed drummers for over 35 years. His virtuosic work with the band Rush has inspired drummers and expanded the school of rock drumming beyond all technical limitations. Peart is known for his intricate beats, fast hands and complex time signatures.

Neil Peart joined Rush in 1974, who has written and recorded rock classics such as “Tom Sawyer,” “The Spirit of Radio,” “Freewill,” “Limelight” and “YYZ.” The band continues to play around the globe to enthusiastic audiences of all generations.

Note about Kontakt Player and Infinite Player:

Remember that while Kontakt Player 4.1 itself is FREE from Native Instruments (we provide it to you for convenience), these third party sounds do require a “gateway” for them to be played in Kontakt Player or the full version of Kontakt. The gateway that unlocks Sonic Reality sounds with NI’s service center is called the “Infinite Player”. You must have the Infinite Player in order to play Sonic Reality sounds.

For purchasers of this product, a complimentary Infinite Player license will be provided to all new users of the Infinite Player. For exisiting Infinite Player users, your license already supports this product.

Requirements: Operating System
* Windows XP
* Mac OSX
* Vista
* Universal Binary.
More information: www.esoundz.com/details.php?ProductID=4432 .


Copyright © 2010 Music Industry Newswire(TM). A unit of Neotrope® – all rights reserved. For Licensing Information, contact legal@musicindustrynewswire.com
Part of the NEOTROPE®.News Network.

View full post on Music Industry Newswire

Magnanimous Music Mogul Maneuvers Magnificent Marketing

If you live on Earth, you have heard about the deal between Country Music Legend Garth Brooks and mega super store, Wal-Mart. Brooks, who has always proved to be a marketing innovator, has inked a deal that is sure to set the music industry on fire. Recently parting from his label, Capitol Records, the deal grants sole distribution rights to Wal-Mart.

What can we learn from Garth? First, he’s all about the business, his fans, and marketing, something I speak about repeatedly both on my weekly radio show as well as in my book, The Indie Guide To Music, Marketing and Money. While Brooks has not recorded a new CD since 2001, his least successful by Brooks’s standards, this marketing genius still captures headlines, creating urgency for his music.

How does he do it? Brooks learned from his time in the trenches, when every label rejected him sometimes twice, it’s all about the business. Brooks took the business very seriously and handled his contract negations with incredible savvy and skill. One of the most important negations he made was to make sure he owned the masters to his own music.

Because Brooks owned the music, he received a higher percentage of the gross, which helped insure he covered the recoupable costs the labels receive. Ultimately, whether he was still with Capitol or not, he owned his music and that enabled him to be able to do whatever he wanted with it.

A big mistake label seekers make when in negotiations is to let go of their rights in order to get the “prize.” If you give up your rights and your label shelves the project and drops you, anything you created is theirs, even if you wrote the music. You can’t take it with you unless you have a lot of money and a really great lawyer. But even so, the label has the final say.

There is a lot we can learn from the masters and this is one lesson I hope everyone is able to hold on to; learn the business and always get legal advice and counsel before you go into contract negotiations. If you don’t know a really great entertainment attorney, I have a few I would highly recommend: Jordan Keller and Miller Hogan of Lassiter, Tidwell and Hildebrand. Jordan, whose clients include the Backstreet boys will be on my show in a few weeks, so don’t miss it! To a better day in every way.

Jaci Rae is a #1 Best Selling author of The Indie Guide to Music, Marketing and Money and Winning Points with the Woman in Your Life One Touchdown at a Time. Tune in for “The Jaci Rae Show” heard live around the world every Thursday: Click on the weekly show link

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Music Contracts: Reading This Article Could Save You A Trip To Court

Music is such a pleasurable activity, that nobody wants to believe that there could be any downside to using it to earn cash. When money is involved music becomes a business. Wherever there is business involved, there are always legal concerns. This is where music contracts come into play.

Frequently musicians are distracted with developing their skills and they end up waiting until things become really serious and they finally realize the size of the music industry. What may start out as a group of buddies jamming together on the weeks could make you a celebrity. Before things get really serious, it is a good idea to put an agreement in writing by making a contract.

It doesn\’t matter if you have your friends working with you, contracts are still important for protecting your interests. When people begin to work professionally disputes can arise over who owns what. Unfortunately this happens often with unexperienced people and the business can fall apart. A profitable music business is lost even though these issues might have been simply avoided.  If a contract had been established perhaps there would have been no problems.

Having a contract agreement does not imply a lack of trust, it simply means that you are explaining facts of your working relationship in writing. Music contracts come in many different varieties that can be determined amongst several parties.  The parties involved may be musicians, agents, or perhaps record companies. All these parties may profit or lose from the working relationship.

The bottom line is that any parties working together, can only guarantee that their wishes will be honored by writing your business dealings in a contract.  This is the simplest way that everyone will have the same idea of what they are getting in involved with from the start because it is clearly defined.  This is also a important suggestion because you can\’t always defend your position in court by referring to an oral contract.

Aaron Foreman is an industry music expert and full time consultant.

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