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Waldorf previews Pulse 2 Analog Synthesizer

BERLIN, Germany /Music Industry Newswire/ — Waldorf has announced a new digital-analog MIDI synth module, the PULSE 2. Available Summer 2012, the Pulse 2 features three analog oscillators in combination with a true analog cascading filter.

The promo from Waldorf reads like so: “Sometimes they do come back, and this time, it’s with even more brute-strength power onboard. You are looking at a completely analog synthesizer that accurately delivers what synthesizer enthusiasts around the world truly crave. Pulse 2 is the reincarnation of its ‘legendary’ ancestor, the Waldorf Pulse, that dominated the electronic music of the 90s.”

Like the Blofeld Synthesizer, the Pulse 2 is housed in a sturdy metal desktop case. Besides its large LCD display, 8 stainless steel knobs are available to surf through its clearly arrayed parameter matrix, set master volume and edit display accessible parameters.

FEATURES: Three analog oscillators in combination with a true analog cascading filter. The filter circuits now also offer Highpass and Bandpass modes. We added analog Filter FM and Ring Modulation along with paraphonic modes that allow up to eight voice chords.

More information: http://www.waldorfmusic.de/en/pulse-2-overview.html .


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Roland announces first Backing Keyboard, the BK-5, with intelligent backing-track technology

LOS ANGELES, Calif. /Music Industry Newswire/ — Roland is proud to announce the release of its very first backing keyboard, the BK-5, the latest in a series of Roland musical instruments with intelligent backing-track technology. Hundreds of great music, rhythms, and tones from around the world are available at the touch of a button.

With exceptional sound quality, a comfortable user interface, and seemingly endless accompaniment possibilities, the new BK-5 is perfect for one-man bands, hobbyists, beginners, and professional entertainers.

The distinguished sound and music rhythm quality of the new BK-5 is derived from the BK-7m, Roland’s world-class “band in a briefcase” backing module. Song and rhythm makeup tools for standard MIDI files and rhythms are also offered along with a second drum track for rhythms and SMF.

Music assistants and rhythms included in the new BK-5 backing keyboard cover a variety of musical genres and are compatible with BK-7m/E-series/G-series/V-series. Other features include 128 polyphony, over 1150 sounds, 60 drum kits, song playback, recorder, rhythm composer, video output, and audio input.

USB memory allows for easy audio recording and hosts an embedded rhythm composer lending to both performance and training applications. Backing music (rhythm, SMF, MP3, WAV) can be pulled directly from USB memory as well.

Audio in and video out make it possible for a wide range of performance and entertainment options. Video out also lets the performer enjoy SMF/MP3 lyrics with friends or the audience on an external screen.

The BK-5 will be available in February 2012.


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Roland Corp announces CM-220 and CM-110 CUBE MONITORS – two portable 2.1 speaker systems

LOS ANGELES, Calif. /Music Industry Newswire/ — Roland is proud to introduce the CM-220 and CM-110 CUBE Monitors, two portable 2.1 speaker systems for playing, practicing, and recording musicians. Outfitted with two satellite speakers, a subwoofer, and multiple stereo inputs for electronic musical instruments and other devices, the versatile CM-220 and CM-110 systems are perfect for practice spaces, personal studios, family music areas, intimate performance settings, and more.

Featuring custom-made speakers and powerful integrated amplifiers, the CM-220 and CM-110 systems deliver high-quality, full-range sound for electronic musical instruments and music playback. A built-in protection circuit guards against excessive signal levels from electronic musical instruments that produce a wide dynamic range, such as synthesizers and V-Drums electronic percussion.

In each system, an active subwoofer houses the amplification system for the passive satellite speakers, as well as a host of flexible connectivity options for various types of multimedia devices.

The multiple stereo inputs include 1/4-inch instrument jacks, RCA and 1/8-inch mini jacks, and a coaxial S/P DIF digital jack. A built-in three-channel mixer provides independent volume controls, global high and low EQ, and volume controls for master and subwoofer levels. In addition, XLR/TRS balanced jacks are provided for sound expansion via an external mixer.

The CM-220 is a 200-watt system, with 100 watts of power for a 10-inch subwoofer and 50 watts each for two satellite speakers. The CM-110 is a 100-watt system, with 50 watts of power for a 6.5-inch subwoofer and 25 watts each for the satellite speakers. In both systems, the satellite speakers are two-way designs with 4-inch midrange drivers and 3/4-inch tweeters.

The optional ST-CMS1 Monitor Speaker Stand is ideal for use with the satellite speakers in a CM-220/CM-110 system, providing high stability and secure operation with heavy-duty steel legs and a thick, height-adjustable center pipe.

The CM-220 and CM-110 CUBE Monitors will be available in April 2012.


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Roland Announces AT-900 ‘Platinum Edition’ Organ – top of the MUSIC ATELIER product line

LOS ANGELES, Calif. /Music Industry Newswire/ — Roland, the premier manufacturer of quality organs for home, church, and stage, is pleased to announce the most recent addition to their MUSIC ATELIER family. The AT-900 ‘Platinum Edition’ boasts a newly-designed cabinet, expanded voice palette and features including SuperNATURAL sounds, improved user interface, and Roland’s latest arranger technology – positioning the organ as the new pinnacle of the MUSIC ATELIER product line.

The AT-900 “Platinum Edition” (AT-900P) is housed in a beautiful hand-crafted cabinet with a rich, lustrous walnut finish. The new contoured shape and horseshoe design cabinet with a wider sliding music stand make the instrument as beautiful visually as it is musically.

Fundamental organ voices are further refined with the latest music expression technology and seamlessly fuse with full, rich classic organ tones. Derived from the VK series combo organs, Roland’s acclaimed Virtual Tone Wheel organ sound is exclusive to the AT-900P and offers authentic vintage organ tones and rotary characteristics, while additional SuperNATURAL sounds provide unsurpassed realism in all music genres.

The AT-900P is home to Roland’s newest arranger technology, with new music styles, enhanced main rhythm grooves, V-Drums, and superior orchestral voicing.
Authentic pipe organ voices are offered along with associated quick registration settings for classical music applications, and a 350 hymn tune library further expands the versatility of the “Platinum Edition.”

Baroque or worship music is authentic and inspiring, thanks to new pipe organ voices, and auto accompaniment is simplified with easy to queue voices and rhythm styles within the AT-900P’s renewed Music Assistant functions. The new BMP file export function also allows for printing of arrangement scores.

Distributed exclusively by Roland, the AT-900P will be available in April 2012. For more information, visit www.RolandConnect.com .


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Roland and Fender Unveil New V-Guitar – The VG Stratocaster G-5

LOS ANGELES, Calif. /Music Industry Newswire/ — Industry giants Roland and Fender are proud to introduce the VG Stratocaster G-5, an amazingly versatile electronic guitar that fuses traditional design with the latest in digital music technology. Combining Roland’s revolutionary COSM modeling with Fender’s classic Stratocaster guitar, the VG Stratocaster G-5 gives players instant alternate tunings, a wide selection of electric, acoustic and 12-string guitar models, and more—all easily accessible with standard controls on the front of the instrument.

In 2007, the two legendary companies joined forces to create the VG Stratocaster guitar, the first instrument to blend Roland’s innovative digital technologies with Fender’s iconic solid-body guitar. The VG Stratocaster G-5 represents the next generation in this important partnership, which aims to enhance and expand the potential of the guitar through the seamless integration of familiar, world-class instrument design and leading-edge digital processing.

Inside the VG Stratocaster G-5 is Roland’s groundbreaking COSM guitar modeling, the same tone technology found in the VG-99 V-Guitar System and GR-55 Guitar Synthesizer. Driven by an inconspicuously mounted GK-3 Divided Pickup, the onboard COSM engine gives the player a world of different guitar sounds including unique “ideal-performance” pickups, such as a humbucker with ultra-wide range and a single coil with full, bold tone at their fingertips, available simply by adjusting the familiar Stratocaster knobs and 5-way pickup selector switch.

The 20 sounds onboard the VG Stratocaster G-5 include Fender Stratocaster, Telecaster®, humbucking, 12-string, acoustic models, and cutting-edge unique sounds plus five alternate tunings. A Mode Control knob selects one of five distinct modeling modes, while the Tuning Control knob allows players to apply alternate tunings such as open G, drop D, baritone, and others to any currently selected model. In addition, a digital reverb effect is available when an acoustic model is selected.

As an instrument, the VG Stratocaster G-5 is an authentic Fender Stratocaster guitar through and through. It features a solid contoured body, 22-fret maple neck (with rosewood or maple fingerboard), three American Strat® single-coil pickups with 5-way switching, a synchronized tremolo bridge, a 3-ply pickguard, American inline tuners and chrome hardware. The VG Stratocaster G-5 is 100% a real Strat® guitar, with the same legendary sound and feel that players have loved for over 50 years.

The VG Stratocaster G-5 gives players a single, versatile guitar that can cover any musical style and playing situation.

The VG Stratocaster G-5 is available in a classic sunburst finish with a rosewood fingerboard, or a black finish with a maple fingerboard.

Distributed exclusively by Roland, the VG Stratocaster G-5 will be available in March 2012.


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BOSS Announces TU-10 Clip-On Tuner for guitars and basses

LOS ANGELES, Calif. /Music Industry Newswire/ — BOSS is pleased to announce the TU-10 Clip-On Chromatic Tuner for guitars and basses, the first of its type available from the industry leader in electronic tuners. A number of unique and useful features, along with legendary BOSS accuracy and reliability, make the TU-10 a true standout among clip-on style tuners.

With its ultra-precise tuning accuracy and stylish, compact, and durable design, the TU-10 is a must-have addition to any case or gig bag. The impressive true color LCD dramatically improves visibility even in any lighting condition, and makes tuning simple, with the current pitch shown simultaneously via a streaming meter display, flat/sharp arrow indicators, and a note-name readout.

The TU-10 also has a monochromatic mode, which turns off the backlight and provides double the battery life. To help users tune even more quickly, the TU-10 incorporates BOSS’ proprietary Accu-Pitch® function, which displays a positive visual confirmation when the correct pitch is attained.

With many clip-on tuners, the joint between the meter and the clip is the most fragile part of the tuner. On the TU-10, there is no joint: the meter and clip are one solid piece, for superior strength and reliability.

The TU-10 also supports flat tuning up to five semitones down, a feature rarely available in clip-on designs. Flat tuning is particularly desirable for guitarists and bassists that play heavy rock and metal styles.

The TU-10 will be available in April 2012.


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ROLAND announces TD-30KV and TD-30K V-PRO Series V-DRUMS, with SuperNATURAL sounds and Behavior Modeling technology

LOS ANGELES, Calif. /Music Industry Newswire/ — Roland is pleased to announce the TD-30KV and TD-30K V-Pro Series V-Drums, the new flagship kits in its industry-leading lineup of V-Drums electronic percussion. Featuring SuperNATURAL sounds with Behavior Modeling technology, improved V-Hi-Hat® and V-Pads™, and many more enhancements, the TD-30KV and TD-30K kits offer serious players the ultimate V-Drums experience for stage, studio, and beyond.

V-Drums have long been recognized as the world’s most natural playing and expressive electronic drums, thanks to patented mesh-head pads, advanced triggering, and a sound engine driven by Roland’s COSM modeling technology. Now, the TD-30KV and TD-30K kits add in SuperNATURAL sounds and advanced Behavior Modeling resulting in an instrument that reacts and responds to all the subtleties, nuances, and dynamics of a drummer’s technique. First developed for Roland’s synthesizers and pianos, these leading-edge technologies deliver a quantum leap in realism in both sound and expression for digitally emulating drums, percussion, and other traditional instruments.

At the core of the TD-30KV and TD-30K kits is the TD-30 Drum Sound Module. It’s loaded with brand-new sounds produced with the SuperNATURAL sounds and Behavior Modeling, including an ultra-realistic ambience feature that emulates overhead mics and room sounds. There are 1100 instruments and 100 drum kits onboard the TD-30. Like all Roland TD series modules, all internal drum kits are user programmable for creating customized settings and kits.

The TD-30 features the familiar, intuitive V-Drums V-Edit interface, and includes metallic parts on the panel to enhance visibility in low lighting. The rear panel is stocked with trigger inputs for the pads, along with multiple audio outputs and MIDI I/O. Two different USB ports allow users to play audio files from convenient flash media, as well as connect directly to computers for MIDI over USB.

Designed as the ultimate V-Drums stage kit, the TD-30KV offers unprecedented playability with enhanced pads and cymbals, as well as striking onstage presence with new Black Chrome shell wraps. The snare and four tom V-Pads (PD-128S-BC; PD-128-BC x 2; and PD-108-BC x 2) feature updated rim sensors for ultra-accurate dynamics detection and rim shot depth, while a new V-Hi-Hat (VH-13-MG) brings high-resolution sensing for improved playability. The VH-13-MG, along with the CY-14C-MG and CY-15R-SV V-Cymbals, come in an attractive new metallic gray finish. Rounding out the TD-30KV is the KD-140-BC V-Kick and MDS-25 chrome-finish drum rack.

Equipped with standard pad components, the TD-30K gives drummers a pro-level recording set with the expressiveness of the new TD-30 sound module. The kit’s three toms feature the new PDX-100 V-Pad, which offers a 10-inch mesh head with a shiny metal hoop, vertical and horizontal mounting options, and a lightweight yet durable design. Other components include the KD-120BK V-Kick; PD-125BK V-Pad for the snare; VH-11 V-Hi-Hat; CY-12C, CY-13R, and CY-15R V-Cymbals; and the new MDS-12V drum rack, which includes an internal cable management system for a clean, professional look.

The TD-30KV and TD-30K V-Pro Series V-Drums will be available in April 2012.


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New compact analog synth keyboard announced by Arturia: the MINIBRUTE

Meylan, France /Music Industry Newswire/ — At the Winter NAMM 2012 show in Anaheim, Calif., Arturia will announce their first analog keyboard, the MINIBRUTE. Arturia announces the upcoming release of MINIBRUTE. The pure analog, multi-wave oscillator combined with a huge sounding classic multi-mode filter, and wide range of modulation capabilities will bring new life into your recordings and stage performances.

According to the company, MiniBrute is Arturia’s new analog synthesizer. With a pure analog signal path and several innovative features, it sets a new standard for what a hardware synthesizer should be. Outstanding features include the Ultrasaw, Metalizer, Brute Factor™, Arpeggiator, LFO with sample & hold, full USB/MIDI/CV connectivity; all of which are housed in a rugged metal enclosure and it is almost too brutal to think about!

MAIN FEATURES:
Monophonic synthesizer
100% Analog Audio Signal Path
Steiner-Parker Multimode Filter (LP, BP, HP and Notch)
Voltage Controlled Oscillator with Sub-Osc
Oscillator Mixer (Sub, Sawtooth, Square, Triangle, White Noise, Audio In)
LFO1 with 6 waveforms and bi-polar modulation destinations
LFO2 with 3 vibrato modes
Brute Factor™ delivering saturation and rich harmonics
Ultrasaw generating shimmering sawtooth waveforms
Metalizer bringing extreme triangle harmonics
Two ADSR Envelope Generators
25 note Keyboard with Aftertouch
Rugged Aluminium Enclosure
External Analog Audio Input
CV In/Out controls: Pitch, Gate, Filter, Amp
MIDI In/Out with 5-Pin DIN connectors
USB MIDI In/Out
1/4” Audio Output and 1/4” Headphone Output
Gate Source Selection: Audio Input, Hold, Keyboard
Arpeggiator: 4 Modes of Arpeggiation
4 Octave Range Control
6 Time Divisions
Swing Control.

Check out the Arturia website www.arturia.com for more information.

MSRP : USD 549 / EUR 499

VIDEO:


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Roland Announces RP301R Digital Piano with SuperNATURAL Piano sound engine and Ivory Feel-G keyboard

LOS ANGELES, Calif. /Music Industry Newswire/ — Roland is pleased to introduce the RP301R Digital Piano, an attractive, fun, and affordable instrument that will please players of all levels. Featuring the SuperNATURAL Piano sound engine, Ivory Feel-G keyboard, and built-in rhythm accompaniments, the RP301R is perfect for beginning piano students, families, and anyone that wants to have fun playing the piano.

Onboard are 60 fun, rhythm accompaniments designed for pianists enrich your musical repertoire and enjoyment. Make incredible music with the newly developed full-keyboard chord recognition engine, which reacts to the pressing level of the damper pedal. You can play along with sophisticated rhythm accompaniments without changing your piano playing style. Rhythm accompaniment can be expanded through USB memory.

At the heart of the RP301R is Roland’s acclaimed SuperNATURAL Piano sound engine, which delivers an authentic grand piano playing experience with seamless variations in tone from pianissimo to fortissimo, notes that fade naturally without looping, and three-dimensional sound and response.

The 88-note Ivory Feel-G keyboard provides world-class touch to match the RP301R’s SuperNATURAL Piano tone. Featuring a progressive hammer action design with escapement, it inherits the functions, appearance, and texture of keyboards found on Roland’s flagship pianos. Thanks to the combination of top-level sound and playing feel, the RP301R offers expressivity and performance that rivals that of high-end instruments.

The RP301R supports USB MIDI, so users can connect to computers and use the instrument with music recording software. With the USB Memory function, users can stream music directly from a convenient USB memory, allowing them to play along with their favorite WAV audio and SMF (Standard MIDI File) songs.

Equipped with a built-in stereo speaker system, the RP301R delivers rich and full sound with an easy-to-adjust volume control. The RP301R is provided with environment-conscious design with Auto Off function and low power consumption. Available in two different finishes (Satin Black or Simulated Rosewood), the compact and beautiful upright cabinet fits in nearly any space and decor. The RP301R is also outfitted with a smooth-sliding keyboard cover, three integrated pedals, and headphone jacks for silent practice.

The RP301 and RP301R will be available in February and April 2012 respectively.


Copyright © 2012 Music Industry Newswire(TM). A unit of Neotrope® – all rights reserved. For Licensing Information, contact legal@musicindustrynewswire.com
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Roland Releases New Dynamic MIDI Pedal

LOS ANGELES, Calif. /Music Industry Newswire/ — Roland is pleased to announce the new PK-6 Dynamic Pedalboard, an impressive MIDI controller that puts the excitement and versatility of live bass performance with full MIDI control within reach of any musician.

The new PK-6 MIDI Pedal controller is the successor to the popular PK-5A, and preserves many of the same characteristics of its predecessor, while adding new features and functions that make its use more comfortable and intuitive for musicians. Virtually any MIDI function can be controlled in live performance using their feet, leaving hands free to play their favorite instrument, and the easily readable LED display enhances the player interface.

The PK-6 includes new features like MIDI merge, PK out, and an external pedal jack, along with proven PK-5A features like one-foot operation of four separate performance modes, 13-velocity sensitive pedal keys, and the ability to transpose over a nine-octave tonal range.

Connect the PK-6 to any MIDI-compatible keyboard or sound module, and instantly add bass lines, harmonies, drum/percussion sounds, and even sound effects to your performances.

The PK-6 will be available in April 2012.


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