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Panda Transport is set to make a big splash in the US this fall, releasing “Plush Mechanique”, their latest LP with a new distribution deal with IODA. With the single “Transmission” already featured on Grey’s Anatomy, it’s just a matter of time before Panda Transport rises to prominence. After seeing success in Europe with multiple hit songs, glowing reviews and prominent placements on television, Panda Transport is pushing into the American market with “Plush Mechanique” and a new EP, “Monorail”, to be released this fall.

“Wondrous music!!!!!! They were so good, so sweet, so darn good! I’m still smiling…really.” -NME

“Plush Mechanique” defines the Panda Transport sound – a melange of electronic and natural instrumentation utilizing vocal harmonies, theremin, flute, vocoder, wooden and wired guitars, handmade percussion, synths and a trolley full of toys and light! A bit more natural sunlight than well- placed studio lighting; it is human music for human people.

Panda Transport was conceived in September of 2006 by Kathy Compton and Thierry Holweck. After meeting and becoming friends via the Information Super Highway, pen pal style, they began work in earnest to record material for the debut album, “Plush Mechanique”.

Kathy wanted to be a pussycat, a witch, or an astronaut; Thierry, alone in a boat or a shepherd in the Alps. She became a chanteuse and writer of jazz and pop; he, a punk electro-experimental musician and virtual faders master. They are polar opposites drawn together by their shared desire to explore the unknown. Their meeting was a twist of fate; their musical creation is a twist of cultures, experiences, influences and personalities.

A by-product of the global village, Panda Transport creates music where jazz phrasing, coupled with engaging melodies is set within a soundscape of harmony and fleeting sounds; astral lounge. Their passion for Voyaging remains central to their bi-continental lifestyle, most compositions being created on the road in Europe or The States, in yurts and ancient silk factories, utilizing a dilapidated laptop with its organs busting out.

Be on the lookout for Panda Transport’s new EP “Monorail” this fall, as well as upcoming tour dates in the US!

To learn more about Panda Transport visit them at:
http://www.myspace.com/pandatransport or
http://www.pandatransport.com

Silky Soul Music is the brainchild of Frankie Beverly’s son, Anthony, who is serving as the project’s executive and co-producer. Beverly developed the idea to properly honor his father’s contributions to the music industry in a way that has never been done before. It is the first and only album recognizing Beverly and Maze’s nearly 40-year career including 12 albums and 30 hit singles. The 10 songs selected for the CD represent some of Maze and Frankie Beverly’s greatest hits. Featured are a host of Grammy Award winning and nominated gold and platinum-selling artists in R&B and Gospel, including Joe, Kevon Edmonds, Mary J. Blige, Ledisi, Mint Condition, Raheem DeVaughn, and the Clark Sisters.

The number two album of the week is Green Day’s “21st Century Breakdown”, the Punk trio’s long-awaited eighth studio album. The album is the best-selling trio’s first studio album since 2004′s two-time Grammy Award-winning Punk Rock opera American Idiot, which debuted at #1 on the Billboard chart, spawned five hit singles, and went on to sell more than 12 million copies worldwide. 21st Century Breakdown is divided into three acts: “Heroes and Cons,” “Charlatans and Saints,” and “Horseshoes and Handgrenades,” and follows a young couple, Christian and Gloria, through the mess and promise of the century so far. Songs include “Know Your Enemy”, “21 Guns”, “East Jesus Nowhere”, “Before the Lobotomy”, and “Restless Heart Syndrome.” 

The remaining top ten is as follows:

3. Backstreet Boys – This Is Us-Special Edition
4. Colbie Caillat – Breakthrough
5. Winger – Karma
6. Lynch Mob – Smoke & Mirrors
7. Pink Martini – Splendor In The Grass
8. Michael Jackson – Michael Jackson’s This Is It
9. Rosanne Cash – List
10. House Of Lords – Cartesian Dreams

Meditation music can help you find all of these benefits with calming sounds. Meditation and other anxiety reducing wellness practices are critically important in today’s world. By making these healing arts easily accessible, people will attain abundant health, balance, and peace in their lives; we have developed a manifest mix of music that can help you obtain the very culminating meditative state as possible.

This unique healing, meditation music uses resonance to wash away stress, and impeach your body with strong, positive force. This in turn opens your mind to creative encouragement and visions, even peak experiences. Remember, meditation is a personal wayfaring and it is up to you to choose which tools you are going to take along. In addition to soothing approach, hypnosis music and meditation music often consolidate natural elements such as the harmony of ocean waves, passably flowing streams, or birds chirping. Ideal for relaxation, meditation and bodywork, Meditation reveals a new petal in the lotus blossom of Tibetan/Nepali meditation music, a vehicle for cogitative journeys inoculate with the healing aspects of an age-old tradition.

Meditative music has a curing effect on the body, mind, and spirit. It can be extensively classified under the mind-body medicine. More and more doctors are prescribing meditation music as a way to droop blood pressure, enhance exercise attainment in people with angina, help people with asthma breathe easier, relieve insomnia and generally cool off the everyday agony of life. Both joy and misfortune are experienced by mind, and anything done and experienced by mind falls out of the grade of meditation. It is our mind that causes all psychological and emotional diseases.

Binaural Beats favorably metamorphose your brains frequencies. Once your brain is in the right state to soak up, subliminal programming is dramatically mended. You just need to get your headphones on and embark on playing your binaural beat recording. Gradually, your mind becomes more and more still. It is verified by many studies that binaural oscillation frequencies can take the human brain into a immense state of pacification and therefore, it achieves maximum stable state. Brian Editor’s Music is so energetic that within a couple of minutes, specially braid pitch waves start harmonize he left and right hemispheres of the brain (called as hemispheric synchronization). This basically offers establishment in brain chemicals and equations that is much required for the mental peace.

For sample you may visit http://www.braineditor.com/click

BW Recknagel’s debut Album “Nihilum” comes like a breath of fresh air in the midst of classical releases.
Fresh, as his piano compositions are of extreme deep and dark nature. With many contemporary composers being obsessed with abstract art and, as a result, struggling to meet a wider audience, BW Recknagel has no intention to re-invent the wheel but simply focuses on making beautiful music, truly authentic and inspired.

All 10 pieces, ranging from Minimalism to dark Romanticism, have hypnotic tones of such intimacy and emotional depth that the listener is immediately drawn into a world of deep yet edgy relaxation – from the first note to the last with a commercial edge and the potential of inviting a wider audience.

Performed by Russian Pianist Xenia Russo, her sensitive and expertly colored playing brings the final magical touch to this unique work, emphasizing the “openness” of BW Recknagel’s music, painting a picture of melancholy and sadness, taking you into a journey of your own inner stories of emotion.

Tracks like “Singularity”, “Fading Love” and “Before The Dark” bear references to the early 20th Century French impressionists such as Eric Satie or Debussy whereby the Album develops into more complex, classical material in the line of dark romanticism. The mainly chord based, also longest track on the Album, “Requiem For A Friend” deserves special recognition for his incredible authentic, dark and sinister “storytelling”. The Album closes with three of the most commercial tunes, “Nihilum”, “Dusk” and “Follow Your Bliss” and again show BW Recknagel unique style and handwriting with a talent to write strong themes (leitmotivs) without leaving the classical terrain.   

More surprisingly, BW Recknagel has never set a foot into a musical academy but his colorful background and musical London life and career are more than an interesting read:

Raised by a musical family, he grew up with classical music and trained in classical piano and guitar for more than 14 years. Exploring and making music from all genres has always been his passion and the rather uninspired landscape of his German hometown Dortmund led to the move to London, a leap in the dark but it was about being in the right place at the right time – his own private Hacienda.

He soon teamed up with 80′s producer Zeus B Held (Transvision Vamp, Men Without Hats, John Foxx) and became his in-house studio engineer at VoiceVersa Studio, at the heart of London’s music metropolis in Portobello Rd. For the years to come, the studio turned into one of the most vibrant places during the Brit Pop/Dance Mania era. His new collaboration with Cult Journalist Kris Needs made him remix more than 40 Top UK artists including Primal Scream, St.Etienne, Dave Stewart (Eurythmics) Malcolm MacLaren, The Prodigy – to name but a few. His own instrumental chillout work under the name Headman/Full Moon Fashions was also spotted by Billy MacKenzie of critically acclaimed The Associates fame and he staged his comeback single Loom feat. Billy MacKenzie “Anacostia Bay At The Edge Of The World”, sung over one of BW Recknagel’s original Teutonic instrumental tracks.

Still, the years 1992 to 2000 were anything but classical. BW’s life was a nonstop mixture of dance culture hedonism – think chemically influenced creativity for the 90s, detox units, rehab and production work all in the mix. In a productive haze and with the energy of five, he founded Millennium Records Ltd., (a dance imprint still active now with distribution in 20 countries) so becoming a music mogul was a natural progression. His move back to his classical roots was more accidental. “I haven’t touched or listened to classical music in 10 years and simply hearing a piece in a cab pushed a button and I haven’t looked back since.” He saw and experienced the seedy underbelly of London living for 17 years and like an avid voyeur, took in everything – these were times about being on the outside-being-in.

In the latter 5 years composing was about bringing light to the darkness – pure and intense fun for him so he never envisaged going public with his private ecstasies. Pressure from friends made him focus in 2008 and the result is the mesmerizing 2009 debut of “Nhilium”, a 10 track album of sheer emotional bliss – this man has stories to tell!

BW RECKNAGEL “Nihilum” is available as download under:
http://www.bwrecknagel.com

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Philly’s Dr. Dog will return with their sixth album on April 6. Titled Shame, Shame, the album will be the rock band’s debut for Anti- Records. Dr. Dog bassist Toby Leaman spoke about the 11-track album with PopMatters.com, revealing that the band’s busy schedule is reflected in the album. “It’s hard when you spend half your time away from your friends and family to feel like you’re as connected as you could be to the people around you. I think that’s a lot of what this album is about,” Leaman said. The quintet will perform songs like “Stranger” and “Shame, Shame” off the album on Late Night With Jimmy Fallon the same the day album arrives.

Dr. Dog has a major gig lined up before Shame, Shame drops, however, as the band will perform at Austin, Texas’ South by South West concert. The band’s SXSW performances will take place on Friday, March 19 at Cedar Street Courtyard and Saturday, March 20 at Stubb’s Restaurant. From there, Dr. Dog’s current tour will see the band travelling to cities like Toronto, ON; Ann Arbor, Mich.; Chicago, Ill.; Minneapolis, Minn.; Aspen, Colo.; Portland, Ore.; San Francisco, Calif.; Dallas, Texas; Nashville, Tenn.; Louisville, Ky.; Boston, Mass.; Philadelphia, Pa. and New York, N.Y. Get your Dr. Dog tickets from StubHub.com.

Dr. Dog’s Leaman and drummer Scott McMicken met in eighth grade and were both part of a more traditional indie rock band called Raccoon before branching off to form Dr. Dog. After recording the ambitious 35-track effort The Psychedelic Swamp as a duo, Leaman and McMicken recruited guitarist Doug O’Donnell, keyboardist Zach Miller and drummer Juston Stens to join the lineup. Dr. Dog recorded the poppier album Toothbrush in 2003, and My Morning Jacket frontman Jim James invited the band to open for MMJ on their tour in support of It Still Moves. Former Raccoon bassist Andrew Jones replaced O’Donnell, and Dr. Dog began recruiting various Philly artists to guest on tour and in the studio.

Indie label National Parking picked up 2005′s Easy Beat for distribution, and Dr. Dog supported the album on tour with My Morning Jacket and M. Ward. After making stops at SXSW and other events, Dr. Dog released the stopgap EP Takers and Leavers in September 2006, followed by We All Belong in early 2007. Throughout the remainder of 2007 Dr. Dog posted previously unreleased songs on their website and eventually the songs were released as Passed Away, Vol. 2 in March 2008. Fate followed that summer and is the predecessor to Shame, Shame.

In a recent interview with Spinner, Leaman described Dr. Dog’s writing process. “There [are] two of us that write and we pretty much write on our own. Scott will write his songs and I’ll write my songs and then when we get together to record, that’s when anybody can do whatever they want to a song. We’re pretty diplomatic, nobody is so married to their own song that they can’t hear somebody else’s opinion,” said Leaman, who also revealed that if he had to choose between recording and performing he would choose the latter—lucky for fans!

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